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Use of Sketchbook |
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Project Planning Rubric |
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Drawing and Painting 10
Faculty: Mr. Brian O’Connor
Course Description
Artists’ works are successful because they interpret and represent the human experience. In the first term, boys develop their technical expertise through a series of drawing and painting exercises. As the term progresses they will transition towards a series of self portraits, including a portrait based on Expressionism, Boys develop their own questions to create works of personal significance in terms 2 and 3. At all times, boys will be challenged to explore their own questions and attitudes towards others, through the lens of self. Boys engage with different periods of Art, developing an understanding of motivations and significance. Boys will gain an understanding of the human connection of self to the artists that made works many years prior.
Curriculum Overview
Drawing and Painting 10 is based on the new BC Curriculum available at https://curriculum.gov.bc.ca/sites/curriculum.gov.bc.ca/files/pdf/10-12/arts-education/en_ae_10-12.pdf
At St. George’s, our focus will build upon the BC Curriculum with the following focus:
Term |
Learning |
1 |
Understand (Big Ideas)
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- The Arts develop innovative thinking and problem-solving skills by encouraging a diversity of solutions.
- Creative expression builds community and nurtures relationships.
- Art provides opportunities to gain insight into the perspectives and experiences of differing time periods.
- Art is essential to human and cultural experience.
- The Arts develop innovative thinking and problem-solving skills by encouraging a diversity of solutions.
- Refining artistic expression requires perseverance, resilience, and risk taking.
- Purposeful artistic choices enhance the depth and passion of the message.
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Do
(Competencies)
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- Develop a broader vocabulary, and technical skillset
- Gain understandings of Artist’s processes and motivations.
- Investigate and identify ways that visual arts reflect concern for, or respond to, social and environmental issues
- Connect the artistic self-expression of many artists from differing ages and disciplines. This will be achieved by examining the relevance of these works in relation to the vantage point of each boy.
- Use the Arts to communicate and respond to social and historical change.
- Locally, regionally, and globally Connect the artistic self-expression of First People’s artists
- Create a number of personal pieces of work that grow from research and informed creative processes.
- Create personally meaningful artistic works that demonstrate an understanding and appreciation of personal and social contexts
- Refine and reflect on ideas, imagery and designs.
- Core competencies.
- Working within an Art studio demands that students demonstrate the full range of core competencies. All students are expected to contribute to the running of the studio and in doing this they learn to be responsible, humble and empathetic. No jobs are too menial and all need to be done in order to function effectively.
- The process itself is challenging and it demands resilience and humility. The material and the community, the tools and mentorship.
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Know
(Content)
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- Personal and social responsibility associated with creating, perceiving, and responding in visual arts
- History and theory of a variety of artistic movements, including their role in historical and contemporary societies
- Consider the principles of design and symbolic meaning to create their own self-representation.
- The influence of time and place on the emergence of artistic forms
- A range of local, national, global, and intercultural artists, movements, and genres
- Symbols and metaphors to represent ideas and perspectives in visual art.
- The influence of time and place on the emergence of artistic movements
- Begin to know self through personal exploration, research, and artistic expression.
- Know about First peoples’ principles and their relevance to art and culture.
- The ethics of cultural appropriation and plagiarism.
- The influence and interconnectedness of the Arts with social, cultural, historical, and political movements.
- Procedures to prevent injury and harm to self and others
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Assessment and Evaluation
Assessment in the course is …
Communication – 50%
Inquiry, planning, reflection – 50%
Grade C. This is the baseline expectation and students MUST: -demonstrate competence in
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Grade B. To produce work of a good standard students SHOULD: -demonstrate proficiency in
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Grade A. To go beyond expectations and produce excellent work students SHOULD: - have demonstrated expertise in
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- Expressing quality of form, line, shape and structure.
- Understanding clearly space and spatial relationships.
- Showing grasp of technique in the use of materials.
- Understanding surface qualities and the use of colour and tone.
- Communicating a personal response.
- Investigating both original and secondary sources.
- Demonstrating aesthetic judgment
- Providing interesting solutions.
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- Expressing quality of form, line, shape and structure well, with some sensitivity.
- Understanding clearly space and spatial relationships.
- Showing mastery of technique in the use of material.
- Understanding surface qualities and the use of colour and tone.
- Communicating a sensitive and individual response.
- Investigating in some depth original and secondary sources.
- Demonstrating an informed aesthetic judgment.
- Providing well thought out solutions.
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- Expressing quality of form, line, shape and structure skilfully and with sensitivity.
- Understanding clearly space and spatial relationships.
- Showing complete mastery of technique in the use of materials.
- Understanding fully surface qualities and the use of colour and tone.
- Communicating a sensitive and highly individual personal response.
- Investigating in depth original and secondary sources.
- Demonstrating a well-informed aesthetic judgement.
- Providing elegant solutions.
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Resources
- Canvas resource page
- Websites as appropriate
First People’s Principles
We would like to acknowledge that the land on which we gather is the unceded territory of the Coast Salish Peoples, including the territories of the Musqueam, Squamish and Tsleil-Waututh Nations. We are honoured to live, work, and play on this land together.
As part of contribution to reconciliation, this course makes First Peoples Principles visible in class by using contemporary First People’s art within the context of the lesson. In particular, artists who investigate the practice of identity and land.
Literacy
We focus on three types of literacy within the Visual Arts Department. Visual literacy, written literacy, and verbal literacy.
Visual Literacy: Using visual language to make art.
Written Literacy: Using written reflection and writing artist statements to support our process and our art.
Verbal Literacy: using language to verbally critique each other’s work and defend our own work.
Course Expectations
- Completion of all projects and assignments
- Sketchbook work is of paramount importance
- Studio community: Be supportive of others need to meet assignment deadlines.
Contacting Me: Brian O’Connor boconnor@stgeorges.bc.ca