Course Syllabus

2023 - 2024Syllabus

Art Studio 3D 10

Faculty teaching Art Studio 3D 10

Course Blocks and Teachers
Section Teacher
H

Markian Kyba

Adam Stenhouse

A

Markian Kyba

Adam Stenhouse

First Peoples Principles and Land Acknowledgement

I acknowledge that the land on which we gather is the unceded territory of the Coast Salish Peoples, including the territories of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations. We are honoured to live, work, and play on this land together.

As part of contribution to reconciliation, this course makes First Peoples Principles of Learning visible in class by:

  •  Learning about Indigenous artists, their practices and contributions to Canadian and global culture.
  •  Learning about and integrating first peoples learning principles into personal and our studio practices
  •  Visiting the Museum of Anthropology to learn about and see first hand historical and contemporary local/international indigenous Art and Craft.

Course Description

The Ceramics 10 course is a full year elective.

The course will cover hand building /sculpture and throwing on the Potter's wheel. Students will be challenged by projects that reinforce and consolidate their hand building skills, as well as develop their creative problem solving abilities.

The throwing portion of the course will revise and reinforce existing skills and expand their vocabulary of wheel thrown forms.

Each class will begin with varied short sketchbook assignments which will emphasize the value of drawing exploring ideas, research, planning and documentation of their creative process.

Students will be given a thorough introduction to glazes and glazing techniques, as well as alternative sculpture surfacing techniques. They will be encouraged to keep conscientious records of all glazes and finishing processes used and they will be asked to document and reflect on their results.

Students will be given context as they are introduced to the history of ceramics and sculpture and to the narratives and processes of First Nations peoples through a research-based project. The vocabulary of thoughtful critique will be introduced.

Students will be expected to learn to clean up effectively, take care of tools and materials and to participate in the studio community.

Contacting Me

Markian Kyba:  Email: mkyba@stgeorges.bc.ca

                           Phone: 604-224-1304. ext. 3791

Learning Outcomes

Based on the B.C. Ministry of Education curriculum, students will learn and be evaluated on the following knowledge and skills:

Explore and create:

-Create three-dimensional (3D) artistic works using sensory inspiration, imagination, and inquiry -Explore artistic possibilities and take creative risks

-Create 3D artistic works with an audience in mind
-Express meaning, intent, and emotions through 3D artistic works

-Develop and refine artistic skills and techniques in a range of styles and movements         Demonstrate safe and responsible use of materials, tools, and work space

Reason and Reflect

-Identify ways to resolve creative challenges

-Describe and analyze how artists use materials, technologies, processes, and environments in art making

-Develop personal answers to aesthetic questions
-Reflect on the influences of a variety of contexts on artistic works

 Communicate and document

-Document, share, and appreciate 3D artistic works in a variety of contexts

-Demonstrate respect for self, others, and place
-Communicate and respond to social and environmental issues using artistic works

Connect and Expand

-Create artistic works that demonstrate personal, cultural, and historical contexts

-Explore First Peoples perspectives and knowledge, other ways of knowing, and local cultural knowledge through 3D artistic works

-Explore the relationships between 3D artistic works, cultures, and society

 

Assessment and Evaluation

A student's final mark will be determined by evaluation of their ability to demonstrate proficiency in these skills and learning these concepts.

Major assessments for this course include:

  •  Sketchbook Assessment
  • Major Projects: Process, and final resolution
  • Group critiques
  • Self assessment
  •  One on One interviews with teacher reviewing process and finished products
  •  

Skills

Creative process

Create structurally sound sculptures with clay using modelling, slab building and coiling techniques.

Throw forms on the potter’s wheel and refine pots using a variety of processes.

Paint and glaze ceramics using a range of techniques.

 Sketchbook projects:

Drawing from observation, planning drawings and drawing from memory and imagination.

Researching artists and sourcing inspirational materials, reflecting on experiences, documenting concepts and techniques. Exploring aesthetics and developing personal ideas, documenting art works and producing a portfolio.

 

Problem solving.

Testing and exploring concepts and ideas related to art making and the world around them

 Core competencies.

Working within a ceramics studio demands that students demonstrate the full range of core competencies. All students are expected to contribute to the running of the studio and in doing this they learn to be responsible, humble and empathetic. No jobs are too menial and all need to be done in order for the studio to function effectively.

The process itself is challenging and it demands resilience and humility.

 

Studio maintenance

Using and caring for tools, keeping the studio clean.

Participating in clay recycling/processing.

Being aware of health and safety in a clay studio.

Content

 Elements and principles of design in the visual arts.

Know the material properties of clay, ceramics and glaze.

Know the working rhythms of the studio.

Know how to work within a community which is regulated by the particular needs of the ceramics programme.

Know about the importance of health and safety in the ceramics studio.

Know about the context of ceramics at school, in the community, historically and culturally, and in terms of contemporary culture.

Begin to know self through personal exploration, research and artistic expression.

Know about First peoples’ principles and their relevance to art and culture


  • Assessment Categories and weighting: Students are assigned projects based on themes reflecting historical, cultural and contemporary ceramics and sculpture. A wide variety of techniques are introduced to facilitate exploration for individual student’s self-expression. Collaboration is central to all activities in the ceramic studio, and students are expected to work together in all aspect of studio life.  Students will be assessed in one on one meetings and group critiques, and submitted sketchbooks/projects.
  • Grades will be calculated based on the following categories and weightings:
  • Senior (Grades 10-11) Assessment categories weighting

    •  Planning & Research: 15%
      Drawing- Observation/ Imagination
      Brainstorming and planning
      Research & Reflection

    • Handbuilding structure and exploration-15%
      -Pinching/ modeling clay
      -Slab Building
      -Coil Building

    •  Expression in 3D (Handbuilding) :15%
      -Pushing technical and aesthetic boundaries to progress in a
      variety of aesthetic skills
      -Creative expression, communication, styling and development of 3-D form
        
    • Pottery Design: 15%
      -Intentionality in the pottery surface (ribbing, texturing, etc…)
      -Pottery design: considering form, function and aesthetics
      -Trimming/ finishing pots
        
    •  Pottery Pulling and shaping: 15%
      -Pulling walls
      -Shaping/ forming walls


    • Surface exploration and application (Glazing / Painting): 20%
      -Application of glazing or painting processes to finish a piece
      -Waxing or cleaning bases of pieces for a suitably refined
      appearance
      -Intentionality in how something is glazed/painted and why.
      -Exploring personalized methods/ expression for the ceramic surface.

    • Studio responsibility & collaboration: 5%

                 -Working Collaboratively

                 -Contributing to the studio community maintenance & caring for the studio          environment.

                 -Solving problems in peaceful ways and valuing diversity.

    .
  • Student concerns surrounding assessment
  • Students are always welcome to discuss assessment (marks) with me, and may either email me or come to speak to me in person.  I will always let students know if it's a good time to have these discussions, and if not will schedule a chat promptly.
  • Department philosophy: 

    Engaging Head, Hand Heart:

    Teachers share the students’ journeys, helping them to find their own questions and meanings.

  • Course practices: 

     Students should come to class prepared to work with clay, and engage fully in the hands on activities of the Ceramics studio, including working in their sketchbooks, and participating in studio maintenance tasks!

  • Links to Academic Integrity sources/policies]
  • Student code of conduct

Both the school’s assessment expectations and supports that teachers provide can be found online. Academic dishonesty to any degree is not acceptable.

There are a variety of academic supports available at St. George’s for students. Students are encouraged to take advantage of the range of supports available to them which include:

  • Faculty support 
  • Support Block
  • Head of Grade
  • Student Success Centre
  • Personal Counselling

Learning Resources

This course syllabus, all current unit and major assessments for the current term, and a plethora of helpful learning resources can be found on my Canvas page. 

Resources that will be used as part of this course include:

  • Ceramics studio and tools

    Ceramics studio library

    Canvas resource page

    Websites as appropriate for research and videos
  • School Learning commons

Course Expectations

  • Workload:
  • Students are expected to participate fully during class time, maintaining focus for maximum learning, working on their projects, collaborating collegially with peers, and helping to maintain studio and tools.  There is no significant homework in this class, although students may be asked to think about their projects when not in class!
  • Students are expected to make up for time/classes missed by attending Ceramics club
  • Online Work:  If students are unable to make up missed time in Ceramics club they may complete additional online assignments.
  • Submitting Assignments: Sketchbooks are handed in for grading.  Projects are either reviewed in one on one interviews, in critiques, or on Canvas via online photo/ text submissions

Learning Plan

Unit Learning

Unit 1 Pottery

#1 Open forms (Bowls/Plates)

Sept-  Oct.

#2 Closed forms (cups and teapots)

Oct-Nov

#3 Personalized form

(Pick-a-pot)

Dec.-Jan.

#4 Pottery Finishing

(glazing)

Sept.- Jan.

Understand:

-How pottery making can be used to express personal ideas while combining form with function.

-How pottery interacts within our daily lives and cultural context

  • Traditions, perspectives, world views, and stories can be shared through aesthetic experiences.
  • Visual arts offer unique ways of exploring our identity and sense of belonging
  • Growth as an artist requires time, patience, and reflection.

 

Do

  •  Making  bowls and plates on the potter's wheel
  • Glazing /decorating pottery forms to create images conveying ideas visually. 
  • Use sketchbook processes to come up with and refine ideas to create personalized imagery.  Document creative process in sketchbook.
  • Students will create cups and/or teapots on the potters wheel.
  • Students will customize their pottery with a specific person in mind to suit their personality and preferences.
  • Students will glaze their pottery with inspiration from their cultural research project.
  • Developing a personal design for a single chosen pottery form
  • Exploring personal designs/ methods for glazing/decorating
  • Documenting creative process in sketchbook

Know

  • How to centre clay, open, pull up and shape walls, trim and refine a foot.
  • How to use underglaze and glaze to create imagery on a bisc surface.
  • Research a culture (students choice) and their use cups/teapots in daily life/ ceremonies.
  • How to create closed forms
  • A variety of glazing processes to facilitate their self expression.
  • Identify ways to resolve creative challenges
  • Develop personal answers to aesthetic questions
  • Explore artistic possibilities and take creative risks
  • Documenting creative process in sketchbook

     

Unit 2 Sculpture

1.Shoe project (Jan..-Feb.)

2.Hand Project

(Feb- Mar.)

3.Bust Project

(April-Jun) 

Understand

  • Traditions, perspectives, world views, and stories can be shared through aesthetic experiences.
  • Visual arts offer unique ways of exploring our identity and sense of belonging
  • Growth as an artist requires time, patience, and reflection.

Do 

1.-Students will build a life sized shoe (clay)of their own design or based on a real shoe.

-Students will surface their shoe sculpture using their own vision to guide them

2.-Students will create a sculpture of a hand

-Students will build a narrative with the hand sculpture by posing it, accessorizing, and painting it.

3.- Students will create a life sized sculpture of a human head (character of their choice).  Considering who this character is, and how best to show that through the details of the sculpture (pose, dress, accessories, surface embellishment)

Documenting creative process in sketchbook

Know

-Slab building, coiling, modelling, observation (life sculpting)

-Document, share, and appreciate 3D artistic works in a variety of contexts

-Demonstrate respect for self, others, and place

-Communicate and respond to social and environmental issues using artistic works

-Create artistic works that demonstrate personal, cultural, and historical contexts

-Explore First Peoples perspectives and knowledge, other ways of knowing, and local cultural knowledge through 3D artistic works

-Explore the relationships between 3D artistic works, cultures, and society

 

Literacy/Numeracy

This course makes literacy/numeracy visible by using the following comprehension tasks and strategies:

  • Literacy :

    We focus on three types of literacy within the Visual Arts Department.

    Visual literacy, written literacy, and verbal literacy. 

    Visual Literacy: Using visual language to make art.

    Written Literacy: Using written reflection on artistic process, planning art works through written descriptions of the possible

    ideas and/or techniques at play.  Writing artist statements to support our process and our art.

    Verbal Literacy: using language to verbally discuss and critique each other’s work as well as speaking of personal reactions to art works being viewed in a variety of contexts ( in media, student work, galleries, museums, etc…

  •  Numeracy:  
  • Students will need to make measurements, and do simple calculations at times while working on sculpture projects.  EG. calculating clay shrinkage, measuring height/ width/ depth of a sculpture.

Core Competencies

This course incorporates Core Competencies into the routines, learning, and culture of the class in the following ways:

  •  Communication: Students communicate and collaborate with the teacher and each other respectfully. Students develop ideas, acquire, interpret and present information, explain/ reflect on experiences & accomplishments. in their sketchbooks.
  •  Creative/critical thinking: Students will learn to use creative thinking for generating and developing novel ideas in both sketchbook work and while working on creating pieces. 
  • Personal Awareness & Responsibility: Students are expected inn the studio environment to make personal choices in their work, conform to community norms and standards, and to monitor their personal well being and alerting their teacher if they feel therir well being is being jeopardized.

  • Positive personal and cultural identity: Students will be exploring their relationships, cultural contexts, personal values and choices, personal strengths, and abilities through their sketchbook work and clay projects.

  • Social responsibilities: Students will contribute to the community by working collaboratively, caring for the studio and environment by cleaning up, recycling, and not wasting materials.  Students will interact with each other respectfully, building relationships and solving problems peacefully through dialogue. 

 

Course Summary:

Date Details Due